Tuesday, 2 November 2010

Filming Schedule

Target Audience

As my film trailer is going to be a horror movie, i have looked into what the majority of my target audience will be aimed at, for the majority of horror movies the target audience are usually teenagers to adults which will enjoy and watch horror movies the most. Overall looking over which target audience is aimed at by the majority of horror movies made in the media world my target audience will also be teenagers and adults, which will enjoy these type of films. This means that i will not be aiming at young children so there will be no limitations on how scary my film will be as there will be a age limit also targeting my specific audience. To make a horror movie and a trailer it is very important for anyone to know who the majority of their target audience is going to be in order to address this to my specific target audience. Throughout the Freytag's Triangle i will be following this and at the same time it will help me to link it to my target audience which are going to be teenagers to adults.

Freytag's Triangle













Exposition

The exposition provides the background information needed to properly understand the story, such as the protagonist, the antagonist, the basic conflict, and the setting. It ends with the inciting moment, which is the incident without which there would be no story. The inciting moment sets the remainder of the story in motion beginning with the second act, the rising action. While the exposition may employ the rhetorical mode also known as exposition, the two are not perfectly synonymous.


Rising action

During rising action, the basic internal conflict is complicated by the introduction of related secondary conflicts, including various obstacles that frustrate the protagonist's attempt to reach his goal. Secondary conflicts can include adversaries of lesser importance than the story’s antagonist, who may work with the antagonist or separately, by and for themselves or actions unknown.

Climax

The third act is that of the climax, or turning point, which marks a change, for the better or the worse, in the protagonist’s affairs. If the story is a comedy, things will have gone badly for the protagonist up to this point; now, the tide, so to speak, will turn, and things will begin to go well for him or her. If the story is a tragedy, the opposite state of affairs will ensue, with things going from good to bad for the protagonist.

Falling action

During the falling action, or resolution, which is the moment of reversal after the climax, the conflict between the protagonist and the antagonist unravels, with the protagonist winning or losing against the antagonist. The falling action might contain a moment of final suspense, during which the final outcome of the conflict is in doubt.