


The exposition provides the background information needed to properly understand the story, such as the protagonist, the antagonist, the basic conflict, and the setting. It ends with the inciting moment, which is the incident without which there would be no story. The inciting moment sets the remainder of the story in motion beginning with the second act, the rising action. While the exposition may employ the rhetorical mode also known as exposition, the two are not perfectly synonymous.
During rising action, the basic internal conflict is complicated by the introduction of related secondary conflicts, including various obstacles that frustrate the protagonist's attempt to reach his goal. Secondary conflicts can include adversaries of lesser importance than the story’s antagonist, who may work with the antagonist or separately, by and for themselves or actions unknown.
The third act is that of the climax, or turning point, which marks a change, for the better or the worse, in the protagonist’s affairs. If the story is a comedy, things will have gone badly for the protagonist up to this point; now, the tide, so to speak, will turn, and things will begin to go well for him or her. If the story is a tragedy, the opposite state of affairs will ensue, with things going from good to bad for the protagonist.
During the falling action, or resolution, which is the moment of reversal after the climax, the conflict between the protagonist and the antagonist unravels, with the protagonist winning or losing against the antagonist. The falling action might contain a moment of final suspense, during which the final outcome of the conflict is in doubt.
We get a very fast series of editing that shows us mixed locations but with a lot of action, enforcing the genre of film. We get different locations in this section including a warehouse, a riverbank and busy city roads. There are also several clips showing the main character and his sidekick at war seeming to be in Iraq or Afghanistan. This further enforces action to the viewers and tells us that Mark Whalberg was a sniper in the war. All of these locations show the main character Mark Whalberg getting beat up, shit and in a constant fight for survival. But as we have seen he is a sniper. So the next section of shots, we see Mark Whalberg in his primary location fighting back. We see him in forests, on mountains and in other secretive places sniping people from a distance. This shows our main character fighting back and again enforces the genre of action. This brawl continues for a long period of the trailer and we see Mark Whalberg in his primary status. Its almost as if he has created another war by the amount of action we see and the locations we are shown.
The last location we are shown is Mark Whalberg in an orange prison suit trying to prove himself in some kind of court. He has his sniper with him that shows the court is trusting him. This trailer uses many different locations to emphasise the amount of action that the film encages.